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WHAT'S NEW

"RX FOR SURVIVAL" (Series) Delivering the Goods (Episode) WGBH/NOVA for PBS air in November 05. Millions die needlessly every year because the benefits of modern medicine and public health fail to reach them. What are the obstacles to providing care to populations in need? How do we overcome these barriers and build effective, sustainable delivery systems? Shooting HD in Bangladesh, Thailand, Gambia, and Chad.

"THE SKIN WE'RE IN" for National Geographic Television via New Pony Productions, after having shot lots of naked people in New Mexico, and Cambodian gang kids in Boston, took us to Ethiopia, Kenya, and the wilds of England. We explored the evolution of race, why we don't have fur, and the dark rituals of scarification in an extremely isolated population.

We are shooting on the new Panasonic variable frame rate HD camera, and it is spectacular ... if I do say so myself.

"THE LIVING MACHINE" for National Geographic via Sea Studios, whisked the "A" team around (and around) the world on a new series featuring surprising interrelationships in our densely interwoven world.


	MARK KNOBIL FILM/TAPE \| home CREDIT LIST \| EQUIPMENT LIST \| WHAT'S NEW \| CONTACT ME WHAT'S NEW "RX FOR SURVIVAL" (Series) Delivering the Goods (Episode) WGBH/NOVA for PBS air in November 05. Millions die needlessly every year because the benefits of modern medicine and public health fail to reach them. What are the obstacles to providing care to populations in need? How do we overcome these barriers and build effective, sustainable delivery systems? Shooting HD in Bangladesh, Thailand, Gambia, and Chad. "THE SKIN WE'RE IN" for National Geographic Television via New Pony Productions, after having shot lots of naked people in New Mexico, and Cambodian gang kids in Boston, took us to Ethiopia, Kenya, and the wilds of England. We explored the evolution of race, why we don't have fur, and the dark rituals of scarification in an extremely isolated population. We are shooting on the new Panasonic variable frame rate HD camera, and it is spectacular ... if I do say so myself. "THE LIVING MACHINE" for National Geographic via Sea Studios, whisked the "A" team around (and around) the world on a new series featuring surprising interrelationships in our densely interwoven world.